Liljevalchs+ in Stockholm (architect: Wingårdhs) is the extension on the renowned Liljevalchs Museum for Contemporary Art.
The interplay between daylight and artificial light with the pronounced roofline design posed a particular challenge. The 170-square-meter roof sits atop the building above the two large exhibit halls like a crown with its 166 exposed concrete skylights.
The aim of our lighting design was to achieve the required high flexibility to light the exhibits while, depending on angle and position in the room, concealing the busbars and spotlights. Due to the skylights' height and geometry, direct sunlight is blocked out in the exhibit halls when the sun is low. We intensively analyzed the positions of the luminaires using simulations and 1:1 model tests (see graphics), so as not to disturb the clarity of the skylights' form.
In the absence of daylight, the exhibit halls are lit flexibly using spots on busbars and in the more level rooms using an additional linear lighting system that sits parallel to the walls. In the café and museum shop, backlit cloth panels hang under the ceiling.
Liljevalchs+ is the culmination of a holistic approach and close collaboration between all participants, in which every aspect concerning light in its complex relationship to architecture could be addressed.

The lighting strategy for FR L’Osteria GmbH in Munich can be described als Lighting Design 2.0: we developed a catalogue and how-to instructions for LED-Replacement in the over 100 different Restaurants. All franchisees can communicate with manufacturers via a guideline for light source replacement in order make reordering easy and maintain light quality. In addition, we designed a bespoke luminaire that is used in the newly built restaurants and serves as pendant and standing luminaire. It has gained the Red Dot Design Award. The interior design of the restaurants and the lighting design concept in the existing locations has been designed by Dipphold Innenarchitektur and Soda Group.
 
 

As the host, the UAE's pavilion is one of the main buildings at the EXPO and one of great significance.
The design is inspired by a falcon with upward soaring wings, which are fitted with photovoltaics. During the day they are closed and the solar cells tilt toward the sky and at night they open up and display illuminated inner surfaces.
The entire pavilion is monochrome white and is given structure through light. The free-form ceiling of the vast interior is made legible by the double-curved lines of light and captures the iconographic character of the interior space.
The adjoining rooms are very complex ranging from underground parking garages, VVIP rooms and underground entrances to a tunnel connecting the pavilion directly with the Royal Pavilion. Not only did the lighting designers illuminate the interior spaces, but also the building's exterior, the gardens and all of the adjacent areas. The details for the installation were extraordinarily intricate and the highest priority was placed on the invisibility of the luminaires.
Santiago Calatrava wanted only light and structure without any lighting fixtures whatsoever.

On the foundations of the old Petri Church in Berlin, a new sacred building is being built that will unite the three monotheistic world religions of Judaism, Christianity and Islam under one roof. It will be a house of encounter, for people of different religions to get to know each other and exchange ideas. Three sacred rooms are arranged around a central domed room. Above this, the building opens up to the city with a loggia and offers views over Berlin.

For the imposing dome room in the centre of the building, we developed a discreet wall luminaire with several lighting components. This allows us to illuminate the entire room as well as the dome in a balanced way with just a few luminaires. A universal luminaire in the same aesthetics, also developed by us, provides uniform illumination of the circulation areas throughout the building. In the sacred rooms, skylights optimised by us with different characteristics create an appropriate room atmosphere with daylight. At night, this is taken over by the precisely planned room lighting consisting of simple pendant and surface-mounted luminaires.

The German Football Association (DFB) is Germany's largest athletic association. But it did not have a national training center. Which makes the DFB Academy a highly unique project–a new kind of space meant to bring together people of all ages and athletic abilities.
The architects use a large boulevard to connect the large complex of offices, playing fields, restaurants, fitness and hotel rooms.
The concept for the lighting design is based on the idea of an outside boulevard. The colors for the ceiling areas were chosen by us to be in two different blue tones without any lighting fixtures mounted in this "sky," the illumination of which is of central importance to create the illusion of light from above all the way down into the darkest areas.
The lighting on the city boulevard below it is animated and varied making the 230-meter-long route a diverting and entertaining one.
We designed a six-meter-high tree made of lights to serve as the central feature on the market square. It is constructed out of high jumping poles and consciously symbolizes a niche sport in the DFB.